FREESTYLE
DRILLS
BREATHING
DRILLLS
(1.) ALTERNATE BREATHING DRILL – This drill is done
during a set of 50s. On the odd ones,
have the swimmers breathe to the right on the first lap and to the left on the
second lap. On the even ones, have the
swimmers breathe every three strokes.
(Tom Himes – North Baltimore Aquatic Club)
(2.) BREATHING PATTERN DRILL – Have the swimmers swim
a set of 6 x 50s at the end of a particularly strenuous practice session. The set should be done at the end of practice
so the swimmers will be as fatigued as they would be in the second half of a
100 race. Swim the repeats at 100 speed
starting each with a turn to simulate the second half of a 100 race. Alternate n a random manner the various
breathing patterns that might be used during the 100. Caution the swimmers to maintain the same
effort per repeat. You can check this by
counting heart rates immediately after each swim. Keep a record of the times and breathing
patterns used. The pattern than
consistently produces the fastest time should be the one used in
competition. If two or more patterns
produce identical times, the one that allows for more frequent breathing should
be used because that pattern will produce a greater oxygen supply. (Ernest W. Maglischo – California State
University – Chico)
(3.) BILATERAL BREATHING – Have the swimmers
breathe every three or every five strokes.
This provides for stroke balance, promotes shoulder roll, and is a good
lead-up to hypoxic training.
KICKING
& STREAMLINING DRILLS
(1.) KICKING ON YOUR SIDE – This is done with the
bottom arm extended and the top arm on the hip.
One goggle should remain underwater at all times. This drill helps the swimmer establish the
feel for the water on the feet. Because
of a swimmer’s sensitivity to water pressure, this drill will enable the
swimmer to “feel” the proper kick mechanics.
Be sure that the swimmers kick both forward and backward.
(2.) POWER KICK – Swimmers kick underwater with their arms
up in front in a streamline position.
They can be asked to kick for specified distances underwater, or they
can do this drill across the width of the pool.
(3.) 6 – 6 TURNS – The swimmers do a turn,
then push off on their back for six kicks.
They then turn to their side for six kicks before doing a bottom arm
pull. They must stay streamlined past
the flags during all the kicking. (Dan
Patton – Birmingham Swim League)
(4.) SPRINT/KICK DRILL – The swimmers start in
the middle of the pool and sprint to the wall, emphasizing their reach for the
wall on every stroke. After 15-20
seconds of rest, have the swimmers push off the wall, holding a tight
streamline position, and kick back to the middle of the pool. (Tom Himes – N.B.A.C.)
(5.) 360-DEGREE TURNS – The swimmers push off
the wall, either at the start of a repeat or after a turn, holding a tight
streamline position. They should then
rotate, towards their bottom arm, and complete an entire 360-degree roll before
doing a bottom arm pull to the surface.
RECOVERY
& ENTRY DRILLS
(1.) ARMPIT DRILL – The swimmers should
touch their armpit during recovery. They
should concentrate on keeping their elbows up and sliding their hands close to
the body. (Jon Urbanchek – Univeristy of
Michigan)
(2.) FINGER TIP DRAG – The swimmers drag the tips
of the fingers of the recovery hand through the water with a high elbow. Their hands should remain close to the
body. This drill is sometimes done while
running the thumb up the side.
(3.) SPLASHLESS DRILL – The swimmers should emphasize
entering the water without making a splash.
They should run their hands forward, about 8 to 10 inches below the
surface, to ride out the stroke to full extension on the side. (Kathy McKee – Dynamo Swim Club)
(4.) TARZAN SWIMMING – Have the swimmers swim
with their heads up. Their heads should
not move during the drill and they should focus their eyes on a point and make
any necessary changes themselves. This
drill helps hand speed and the catch at the top of the stroke.
(5.) THUMB TRACE – The swimmers should trace
their thumb up the side of the body during recovery. They should feel the high elbow recovery
position.
(6.) WRIST DRAG – With their heads up, have the swimmers
drag their entire hand through the water and force the elbow forward. This teaches shoulder lift as well as a high
elbow position. The water pressure
encountered by the hand will elevate the elbow.
This drill also works well with fins.
(Bill Miller – Clarion University)
UNDERWATER
PULLING DRILLS
(1.) CATCH-UP STROKE – The swimmers pull with
one arm while the other arm remains outstretched in front. They should recover with a high elbow until
both hands touch together in front. This
is continued one arm, then the other.
The swimmers need to have a steady kick and breathe every three strokes
throughout the drill. This drill also
helps to establish smoothness and hand acceleration at the back part of the
stroke.
(2.) EXTENDED DOG PADDLE – The swimmers complete
the entire stroke cycle, including the recovery, underwater. Their head should remain above the water and
they should concentrate on snapping the wrist at the conclusion of the
pull. This drill is good for press-out
at the end of the stroke, extension of the hand, and body roll.
(3.) FIST SWIMMING – Have the swimmers’ hands
enter the water with fingers extended, but then close the fist during the
pull/push phase of the stroke. This
drill allows them to feel pressure on the entire arm, not just the hand. They should feel the high elbow during the
pull/push phase. This drill is good for
adding speed to the pull and emphasizing the acceleration of the hand through
the stroke.
(4.) HAND SCULL DRILL – The swimmers scull
their outstretched hand for three-count while on their side. They should then recover with a full pull and
repeat on the opposite side. (Sherwood
Watts – Sarasota Y Sharks)
(5.) HESITATION DRILL – The swimmers kick a 25
with one arm extended forward and the other arm at their side so that they are
swimming on their side with one shoulder out of the water. The swimmers head position should be looking
forward and down so that the surface of the water is between the swimmer’s
hairline and the middle of the head.
They should keep a steady kick as their body rolls from side to
side. The swimmers should change sides
by doing a good freestyle pull. Swimmers
should breathe quickly every time they switch sides. They can switch sides every 12.5 yards, every
2-3 seconds, or every 4, 6, 8, or 12 kicks.
This drill helps with the feel of the water while rolling and with
bilateral breathing.
(6.) ONE ARM FREESTYLE – Swimmers should swim
with one arm at their side. They should
breathe on the side with the arm down.
Swimmers should emphasize the acceleration during the back part of the
stroke and a high elbow/shoulder during recovery. This drill is good for establishing the
swimmer’s feel of the water.
(7.) PULLING/SWIMMING WITH HAND PADDLES – Pulling or swimming
with hand paddles helps to improve the pattern of the stroke and the feel of the
water. Be careful to use paddles only
under supervision. Using paddles is not
recommended for younger swimmers.
(8.) S-DRILL – Have the swimmers kick on their sides
with one arm out in front and their faces in the water. Swimmers can then watch the arm perform the
“S” pull pattern underwater. (Kathy
McKee – D.S.C.)
(9.) +2, 0, -2 STROKE COUNT DRILL – Have the
swimmers swim 2 x 25 and count their strokes to get an average stroke
count. Then go a set such as 12 x
75. The first 25, of each 75, they
should take two strokes over the average.
On the second 25, they should take the average number of strokes. And on the third 25, have them take two
strokes less than the average. (Kathy
McKee – D.S.C.)
(10.) VIKING DRILL – This drill is done as a
100. The first 25 the swimmers scull
with their arms extended out in front.
The next 25 they scull with their upper arms near their ribcage and
their fingers pointed toward the bottom of the pool. On the third 25 have them scull with their
arms extended down to their hips. The
final 25 is full stroke. While sculling,
the swimmers should kick as little as possible.
This drill is excellent for establishing the swimmer’s feel of the
water. (Wally Morton – Cleveland